I use Woopra Analytics to keep an eye on visits to my site, mostly because there’s a plugin for WordPress that makes it easier to check them. My favorite part is seeing the stuff that people are looking for that leads them here, like the following:
books about things that are not awesome
Alexander and the Terrible, Horrible, No Good, Very Bad Day?
writing without adjectives or adverbs
…is pretty much impossible, I think. All you’ll find here are arguments against even trying.
I don’t know what their FWBs stands for, but mine is short for “Filthy Welsh Boys” (which is what I started calling Max and Trev during the long-distance phase of their relationship — it involved a lot of sex-heavy text messages/pictures and of course video chats.)
name of someone easily entertained
Connor J. Wright, at your service. *Hat tip*
why am i always the odd one out
Because you yourself are strange and unusual? It’s okay to be the odd one out. I honestly think that odd people are more fun, most of the time.
how to tell a story without adjectives or adverbs
You pretty much cannot do it, is what I’m saying. Still, if you manage to do it, please let me know.
why is reesa awesome
It would take too long to tell you all of the ways in which she is awesome, so I’ll stick with these two: she writes (and shares!) Awesome Stories, and she can do that whole plot thing, which makes me a little jealous at times.
how to right a two paragraph story with adverbs and adjectives
…Well, you did ask about writing, not spelling or homophones. First things first: decide what you want your story to be about — titles and all of that can come later, if they ever do. You don’t have to have a detailed idea, just something to aim for. First Flight started with the really simple premise of “I love ravens and I wanna write a story about them/one!” From there, it grew into what we have today. I have another story (which may or may not ever be finished, never mind published) that started life as “there’s this war, and a soldier in love with his immediate superior, and the one in love just wants to go home and never see another sword again…Plus he’s gone and confessed to his officer that he’s in love, but the officer is thisclose to dying of pneumonia, so then what?”
The next thing to do is both the simplest and the most difficult: WRITE it. And if it takes more than a couple of paragraphs to get your characters and your story where you want it, that’s okay — it’s what rewrites and editing and revision is for. The only “real” rules for writing are that you absolutely cannot get anything written if you don’t do the work, and that there are as many methods (outlining, seat-of-the-pantsing, hybrid, snowflake, etc) to getting from “idea” to “story” as there are authors. If one way doesn’t work, try another.
which is done first revisions or edits
This is a great question! I don’t really know, but I suspect it really depends on the author. With First Flight (and Tobias’s Own, to an extent), I actually started my own “This Stuff Needs To Be Changed” file before I got anything back from the editors/proofers. My sailors story was sent back with suggestions for revision, as well as edits, which means that some people see them as synonyms.
because science thats why
“Because it’s science, that’s why!” is a line from the Mystery Science Theater 3000 episode Eegah. Dr. Forrester has installed a radiator in Frank, and Joel asks why he didn’t just leave Frank alone; the doctor starts his reply by saying, “Since Frank’s blood was a previously unknown type, the money that brings in will–Why!? Because it’s science, that’s why!” At my house, ‘because it’s science, that’s why!’ has pretty much become a way to (jokingly) tell people to mind their own business… Or to admit that we’re not sure why we’re doing whatever. Heh.